Arriving late to a popular National Park in the middle of summer with no reservations of any kind is a bad idea. Nevertheless, there we were, goggling at the massive, soaring peaks of Glacier National Park - without a clue where we’d be staying that night. Well into the afternoon we learned at the Logan Pass Visitor center that all the big campgrounds were already full. A smaller, less developed campground was our only chance. With that in mind we chose the nearest, and as the sun began dying in the west, we fled down the mountain, ignoring many a famous viewpoint in our haste.
Thursday, February 22, 2018
Monday, February 19, 2018
Soaring over the Snow - Aerial Photography of Winter in Southwest Washington
Glittering fields, frosted trees, and frozen marshes. Landscapes in the lowlands of Southwest Washington can be a dull subject for photography, especially in the winter, but with a layer of fresh snow and an eye in the sky with the DJI Spark the world is transformed and great photos are easy to find.
Thursday, February 15, 2018
Thunderstorms and Memories of Old Wars on Whitebird Hill
On the long drive between Glacier National Park and central Idaho there is a particularly steep and infamous hill that strains the engine of many a car and is often clogged by slowly creeping semis churning their way up the steep grade. The original road can still be seen across the valley from the summit: a winding contorted collection of switchbacks that makes the casual traveler on the modern highway grateful for the newer road's lack of terrifying curves. However, it’s not the road that is of interest - this place has a much older and bloodier history to explore. Though today the only storms that visit White Bird Hill are those wild thunderstorms of an Idaho summer, once, nearly a hundred and fifty years ago, it was the thunder of war that broke the silence of the hills.
Sigma 150-600mm Contemporary Review
Wildlife photography is perhaps the most demanding genre of photography in terms of gear. Since most of the time you can't (and shouldn't) get up close to wildlife, you need a massively long lens in order to capture those amazing shots like the pros get. In most areas of photography, the skill of the photographer is far more of a factor in great images than the gear they use, but when it comes to wildlife you not only need a high degree of skill, you also have the gear to match. If you have the skill, but not the dough, the Sigma 150 - 600mm Contemporary lens offers a way to get into wildlife photography without taking out a second mortgage.
Monday, February 12, 2018
Secrets of the Woodland Realm
Look more closely at that favorite forest trail you like to walk. Passing by, you will see very little - just a lot of green that seemingly lacks variety. A sea of moss with some bushes and trees poking out of it. Kneel down, let the mud stain your jeans and your hair fill with flecks of bark. Put your eye right up close to that sea of moss that seemed so much a monoculture of lichenous growth. You will find another forest hidden in plain sight; a secret woodland realm just as, if not more complex that the one we walk ourselves.
Thursday, February 8, 2018
Signs of Wilderness
Monday, February 5, 2018
Sunsets and the Super Moon
Last week I went out to photograph the Super Blue Blood Moon. I got a few good shots, and even tried flying my DJI Spark drone up to film it from a higher angle. However, the drone struggled to pick up the moonlight with it's tiny little camera, and a rain storm soon concealed the moon and forced me indoors. However, when combined with video from a couple of sunset flights, I got enough footage to make this ( perhaps overly dramatic) video.
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